{"id":5254,"date":"2013-09-26T18:42:45","date_gmt":"2013-09-26T18:42:45","guid":{"rendered":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/?page_id=5254"},"modified":"2023-10-06T17:38:00","modified_gmt":"2023-10-06T17:38:00","slug":"quilts-matter-history-art-politics-episode-6-image-resources","status":"publish","type":"page","link":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/resources\/image-resource-galleries\/quilts-matter-history-art-politics-episode-6-image-resources\/","title":{"rendered":"Why Quilts Matter: History, Art & Politics \u2013 Image Resources"},"content":{"rendered":"
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Collection of John M. Walsh III exhibition. 2009. Kentucky Museum of Art & Craft, Louisville, KY.<\/p><\/div>\n
It\u2019s now been nearly a century since quilts were first collected and exhibited and they\u2019ve come a long way, baby. In this episode of Why Quilts Matter: History, Art & Politics<\/em>, we trace their slow incursion into museum collections, watching as they finally make the leap from tester bed to gallery wall. The episode charts institutional attitudes toward quilts as objects, rationales for their selection, and the public response to their exhibition (hint: it\u2019s very good). To make it all clear, we trace the path of one exemplary quilt from maker to museum. Finally, we explore the lure of quilts for a private collector\u2026who\u2019s got to have them, and why.<\/p>\n Read full episode description and view episode trailer…<\/a><\/p>\n Download Image Resource Guide for this episode (PDF)…<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n
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