{"id":1608,"date":"2012-02-06T23:48:07","date_gmt":"2012-02-06T23:48:07","guid":{"rendered":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/?p=1608"},"modified":"2023-10-06T17:20:59","modified_gmt":"2023-10-06T17:20:59","slug":"notes-on-the-tokyo-international-great-quilt-festival-2012","status":"publish","type":"post","link":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/news\/notes-on-the-tokyo-international-great-quilt-festival-2012\/","title":{"rendered":"Notes on The Tokyo International Great Quilt Festival 2012"},"content":{"rendered":"

\"TokyoI am just back from the largest quilt show in the world – almost 300,000 people over 8 days – The Tokyo International Great Quilt Festival. \u00a0Kenny, my husband was there with me. It is astonishing to be at this Festival because it is held in the Tokyo Dome where baseball and rock concerts and other events are staged. \u00a0It seats more then 55,000 people, so to see the long lines of Japanese women waiting to buy tickets and get into the show was not the norm there.\u00a0 This is the 11th year for the Festival. \u00a0I have been invited 5 times to curate an exhibition of antique quilts there, all on different themes. \u00a0This year it was Antique Hexagon quilts from America. \u00a0The exhibit was designed with hexagon shaped rooms for the quilts-quite amazing. \u00a0Quilts were borrowed from Laura Fisher at Fisher Heritage in New York, The Charleston Museum, The Schwenkenfelder Center, Andy Hirsch, Eleanor Bingham Miller, and The New England Quilt Museum. \u00a0The exhibition was a big hit! I did three walking tours of the exhibition and people had lots of comments and questions<\/p>\n

This year the earthquake had a big impact on the show. \u00a0Many quilts were being made for the people who suffered in the quake. \u00a0Princess Kiko opened the festival, walked around the show, talked with me at the exhibition and she wanted her picture taken where the quilts being made for the quake victims were exhibited. \u00a0People seemed to be in a solemn mood and many of the people I know had gone to the quake areas to volunteer to help the people there within the past few months. \u00a0A lot of help is needed. \u00a0The newspaper Yomiuri Daily in English talked a lot about a serious quake potential for the Tokyo area within the next 4 years. \u00a0This news certainly impacted the attitudes of Tokyo residents. \u00a0It is also affecting their pocketbooks and their minds about spending, more frugal and less optimistic about the future.<\/p>\n

\"\"

Tabe-san, Junko-san and Shelly at Hexagon exhibit<\/p><\/div>\n

Junko Sasaki, our interpreter, was wonderful as always and we were able to take some day trips with her (Kita-Kamakura being one) and have some meals where we didn’t have to guess or point to the plastic food replicas to make menu selections. \u00a0Akemi Narita always finds some guides to help us get around and this year was no exception. \u00a0She is a textile scholar and I always learn something when I walk the show with her and visit some of the antique textile dealers. \u00a0Boro (or Japanese work clothes quilts) will be a major topic and a major exhibition next year. \u00a0One dealer showed us some Boro and Sashiko women’s pants, both rare and expensive. \u00a0The NHK people are always gracious and welcoming and really professional to work with. \u00a0We had amazing dinners with Tate-san, Matsuo-san and Tabe-san (who oversaw the organization of my exhibition).<\/p>\n

\"Junko

Junko Sasaki, Fumie and Kanji Ono<\/p><\/div>\n

It was good to visit and dine with Fumie and Kanji Ono from L.A. and Japan. \u00a0We figured out that I have known them now for 30 years. \u00a0They came to Kentucky to see the original Kentucky Quilt Project exhibition in 1982. \u00a0Fumie is a major collector of American quilts and an author and scholar who is well respected in Japan for her work with American quilts. \u00a0We all had dinner together one night and did major catch-up in between servings of some of the most delicious Japanese food.<\/p>\n

\"Yukako

Junko Sasaki and Yukako Fukushi<\/p><\/div>\n

Yomiuri Shimbun, probably the largest circulation paper in the world is also a sponsor of the Festival and had a large 2 page spread in the paper the week before with an entire page about my exhibition, quilts in Kentucky and the Kentucky Heritage Quilt Society. \u00a0Their journalist Yukako Fukushi had come to Louisville some weeks before writing the article and interviewed and visited everyone. \u00a0She got a great taste of Kentucky and then she also took us out to a delightful dinner in Tokyo.<\/p>\n

So, lots of quilts and lots of good food and an easy but long trip made this another wonderful Japanese experience for both of us.<\/p>\n

– Shelly Zegart<\/p>\n

 <\/p>\n

<\/a><\/p>\n

More photos from The Tokyo International Great Quilt Festival in 2012:<\/strong><\/p>\n

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I am just back from the largest quilt show in the world – almost 300,000 people over 8 days – The Tokyo International Great Quilt Festival. \u00a0Kenny, my husband was there with me. It is astonishing to be at this Festival because it is held in the Tokyo Dome where baseball and rock concerts and […]<\/p>\n","protected":false},"author":1,"featured_media":1610,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts\/1608"}],"collection":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/comments?post=1608"}],"version-history":[{"count":1,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts\/1608\/revisions"}],"predecessor-version":[{"id":6592,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts\/1608\/revisions\/6592"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/media\/1610"}],"wp:attachment":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/media?parent=1608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/categories?post=1608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/tags?post=1608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}